You'll never hear such loud cheers, see such fist pumps, and witness such all-around terribly hilarious air guitar as you will to "Don't Stop Believing."īars you'll hear it in: The good ones, yet again - no matter whether it's a dive bar, bumpin' night club, rooftop bar, or a dance-friendly bar, "Don't Stop" is practically required in "How to Liven Up Any Bar 101" for DJs. This one is usually the signal to uh, wrap things up at the bar, Semisonic's song usually evokes a certain sort of hugging, swaying, "ohmyGodthebarisclosingbutwe'rehavingsomuchfunwhyyyyyyyyyy" mentality.īars you'll hear it in: The good ones, obviously - this one's a classic not to be missed. Here are the bar songs you can't stop dancing to, and where to hear them: So now you know - hear a dude singing, and start dancing. Most of the songs had been chart-toppers at some point, so familiarity was likely also a factor." Younger people are also more likely to be single, and 'when you're single there's an added goal' to singing, Pawley said. Not surprisingly, these are all conditions associated with an atmosphere of revelry. The most favorable conditions for sing-alongs were bigger venues with younger crowds, especially on weekends. "More important than a song's musical characteristics, though, was the context in which it was played. As for why female vocalists' songs weren't popular, Pawley speculated that, whereas women will happily sing along to men, men may feel that voicing a woman's words threatens their masculinity. Pawley suggested that singing along to these songs promotes a kind of 'neotribal bonding' among participants. ![]() "A prominent feature among the songs was a male vocalist with a loud, clear high-chest voice, without many vocal embellishments. Wired wrote on a study, published by musicologist Allison Bawley, last year: ![]() In fact, researchers have actually determined the best "sing-along" songs are based on vocalists, beats, and atmospheres. And while country-phobes may detest hearing a Garth Brooks song, and low-key drinkers hate the inevitable "Shots" tune that rings through every nightclub, the power of a good beat and catchy songs can't be denied. But then there are the songs that make us throw our hands up in the air (Miley Cyrus style) as if we've never heard a song before in our lives the songs that, when fueled by liquor, sound that much better than they do sober.
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